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                <text>Objet dâ€™un concours lancÃ© dÃ¨s 1927 par la ville dâ€™Alger pour les festivitÃ©s du centenaire, cet imposant Ã©difice, situÃ© sur lâ€™ancien Champ de manÅ“uvres, ne sera finalement livrÃ© quâ€™en 1935. Le laurÃ©at, le jeune LÃ©on Claro, tout juste diplÃ´mÃ© de lâ€™Ã‰cole des Beaux-Arts de Paris, collabore avec Albert Ces et tente de concilier tradition classique et modernitÃ© : le Foyer civique puise en effet son langage architectural dans lâ€™esthÃ©tique sÃ©vÃ¨re et rythmÃ©e de lâ€™architecture classique, tout en sâ€™inspirant du â€œmodernisme classiqueâ€ de lâ€™architecte Perret. &#13;
&#13;
Les colonnes imposantes et les trois portes en bronze du pÃ©ristyle soulignent lâ€™effet de monumentalitÃ© de la faÃ§ade, amplifiÃ© par les deux bas-reliefs des sculpteurs BÃ©guet et Belmondo, disposÃ©s de part et dâ€™autre, qui confirment lâ€™importance donnÃ©e Ã  lâ€™art mural durant cette pÃ©riode.</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.18</text>
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                <text>Ce bÃ¢timent, qui abrite aujourdâ€™hui les bureaux du ministÃ¨re de lâ€™Agriculture, est commanditÃ© Ã  Jacques Guiauchain Ã  la fin des annÃ©es 1920 par la CoopÃ©rative algÃ©rienne dâ€™achats agricoles. PrÃ©vu pour la cÃ©lÃ©bration des festivitÃ©s du centenaire, il nâ€˜est finalement inaugurÃ© quâ€™en 1933 et abrite, Ã  cette occasion, la premiÃ¨re exposition dâ€™architecture et dâ€™urbanisme. &#13;
&#13;
BÃ¢ti avec lâ€™entreprise Perret sur un terrain de forme rÃ©guliÃ¨re, lâ€™Ã©difice sâ€™organise autour dâ€™un vaste hall carrÃ©, couvert dâ€™un dÃ´me Ã  vitraux gÃ©omÃ©triques rÃ©alisÃ©s par Marguerite HurÃ©, artiste qui collabora avec Perret pour la rÃ©alisation des vitraux de lâ€™Ã©glise du Raincy (France) en 1925. La structure porteuse du bÃ¢timent transparaÃ®t sur la faÃ§ade et participe Ã  marquer sa verticalitÃ©.</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.18</text>
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                <text>Ce projet, qui date de 1932, souvent prÃ©sentÃ© comme une icÃ´ne de lâ€™architecture moderne algÃ©roise, est lâ€™une des Å“uvres majeures de Jacques Guiauchain, descendant dâ€™une famille dâ€™architectes installÃ©e Ã  Alger depuis 1831. Pour la conception, Guiauchain fait appel Ã  lâ€™architecte Auguste Perret, qui dÃ©tache Ã  Alger deux de ses anciens Ã©lÃ¨ves pour travailler avec lui : Pierre-Louis MoÃ¯se Forestier et Denis Honegger. &#13;
&#13;
Alliant langage classique et utilisation rationnelle des matÃ©riaux, Guiauchain intÃ¨gre savamment le bÃ¢timent dans le site, ce qui inaugure une Ã¨re nouvelle dans la construction des immeubles de bureaux de grande hauteur. La barre principale sâ€™intÃ¨gre perpendiculairement aux courbes de niveau en libÃ©rant le champ visuel, Ã©vitant ainsi dâ€™obstruer le paysage urbain. &#13;
&#13;
Largement mÃ©diatisÃ© au moment de sa rÃ©alisation, cet Ã©difice constitue rapidement un rÃ©fÃ©rent dans la diffusion du langage typologique moderne Ã  Alger.</text>
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                <text>Carte du patrimoine architectural XIXe-XXe siÃ¨cles d'Alger. Mutual Heritage, 2010. p.17</text>
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&#13;
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&#13;
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&#13;
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Dans cet immeuble Ã©difiÃ© en 1931, lâ€™architecte Guion accorde une attention particuliÃ¨re au traitement dâ€™angle, marquÃ© ici par lâ€™usage du bow-window, rehaussÃ© par un couronnement et des frises dans sa partie supÃ©rieure. La faÃ§ade emprunte aux maisons de la Casbah dâ€™Alger les modÃ©natures nÃ©o-mauresques, les revÃªtements en mosaÃ¯ques ou encore les gardes corps en bois ouvragÃ©s. &#13;
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&#13;
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&#13;
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&#13;
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&#13;
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&#13;
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